I am no
artist. I am a craftsman.
Design
isn’t about self-expression—it’s about understanding the problem, finding the
right approach, and creating something that works. Some projects demand
simplicity, others call for complexity, but all require thought, care, and
precision.
Every
challenge is a new tool in my belt, every project a lesson in patience and
precision. The thrill is in the making—in shaping, solving, and discovering
something new with each piece.
Let’s create together.
Mr.
Carrot is the creative persona of Eduardo de Jevenois Howlett, an art director and
visual storyteller with a passion for craftsmanship in every form.
Born and raised in Madrid, Eduardo initially explored Business Administration and Management before realizing his true calling lay elsewhere—advertising creativity. In 2007, he launched his career as a creative art director in London, spending five years honing his craft before moving to Paris, and later, back to Madrid. Along the way, he worked with some of the top agencies in the industry, learning from the best and developing a versatile skill set spanning advertising strategy, creative direction, design, art direction, illustration, and typography.
But the path wasn’t set just yet.
In 2016, what began as an introductory course in 3D and 2D animation quickly turned into a full-fledged career shift—a world where creativity has no limits. The ability to control every stage of a production was captivating, and it’s been his creative playground ever since.
Born and raised in Madrid, Eduardo initially explored Business Administration and Management before realizing his true calling lay elsewhere—advertising creativity. In 2007, he launched his career as a creative art director in London, spending five years honing his craft before moving to Paris, and later, back to Madrid. Along the way, he worked with some of the top agencies in the industry, learning from the best and developing a versatile skill set spanning advertising strategy, creative direction, design, art direction, illustration, and typography.
But the path wasn’t set just yet.
In 2016, what began as an introductory course in 3D and 2D animation quickly turned into a full-fledged career shift—a world where creativity has no limits. The ability to control every stage of a production was captivating, and it’s been his creative playground ever since.
CLIENTS
Telefonica - Akamai
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NTT -
Nike- Philips -
Infiniti -
Nissan
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Ford
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Lexus
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Volksvagen
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Vodafone
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IKEA
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Lubetes
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Devaya
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Burger King
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Red Cross
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Amnesty Internationa
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Wexford Center
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Wiston
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Enjobit
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Milka
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Motorola
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StreetCar
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Divine
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Strongbow
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Bulmers
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Toby Carvery
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Cadbury
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BetCli
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El Pais
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Banco Sabadell
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Nokia
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Bunker horror, short film
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Pepsi
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Samsung
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Buiton
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Giovanni Rana
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J&B
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Belu
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Samsung -
Netflix
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HBO
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A&E
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AC/DC
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Ernest
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IRSS
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Kymko
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SPICA
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Wamos Air
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Iberia
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EVO Bank
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Barclays
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ING
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Halls
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Tesco
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Canal +
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BBC
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Rosseta Stone
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SOBE
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Frutas Belmonte
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CLAG
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Chamberi Chester
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Mahou
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Coca-Cola
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Open University
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Zubrowska
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The Muse
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WhipCar
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Anti-Slavery International
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Benson
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Logic.
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Reinventa
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British Gas
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Drench
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Paddy Power
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Prince’s trust
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Centrum
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Mr. Kipling
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Ferrero
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Shell - Lubets
AGENCIES
LONDON
DDB
Wieden + Kennedy
FCB Infierno
CHI & Partners
JWT
Ogilvy & Mather
Leagas Delaney
Devilfish
St.Lukes
Saatchi and Saatchi
Lean Mean Fighting Machine
Hometown
PARIS
TBWA
DDB
Wieden + Kennedy
FCB Infierno
CHI & Partners
JWT
Ogilvy & Mather
Leagas Delaney
Devilfish
St.Lukes
Saatchi and Saatchi
Lean Mean Fighting Machine
Hometown
PARIS
TBWA
SPAIN
The Lion
AndTonic
MRM McCann
El Ruso de Rocky
Everis Madrid
Señora Rushmore
Claar Design
Stratio
PlaceIn
*Mr. John Sample / SCPF
Ernest
Alambre
BTOB
HMG
Aftershare
Thinketers
The Lion
AndTonic
MRM McCann
El Ruso de Rocky
Everis Madrid
Señora Rushmore
Claar Design
Stratio
PlaceIn
*Mr. John Sample / SCPF
Ernest
Alambre
BTOB
HMG
Aftershare
Thinketers